Friday, March 31, 2006

Obi Tying

I find we spend a fair amount of time teaching students to tie their obi and hakama correctly. (And admittedly, I don't tie my hakama quite correctly myself). If you are going to practice in the traditional costume, it's worth understanding all the knots.

This is by far the clearest set of directions I've seen. It's all in Japanese, but the pictures are very good: http://kimonoo.net/kituke.html. FYI, hit the green button at the bottom of each page to see the next steps.

If you can stand butchered pidgin, here's Google's translation


We teach students the "mountain knot" (page 2; p1 transl; p2 transl.) This is relatively easy to tie, and has the advantage for jujutsu that it is flat and thus doesn't hurt when you fall on it. (Note, this is the 2nd obi knot pictured)

I myself prefer the"clamshell knot" (transl.), which is a little tighter of a knot and is still pretty flat if you tie it correctly. Note that the beginning steps are the same as for the mountain knot. (Note, this is the 1st obi knot pictured)

For tying hakama, we teach the "jumonji" (cross-shaped) knot (p2. p3. p4. p5.; trans 1 trans 2 trans 3 trans 4 trans 5) It's like a bowtie for your hara.


I've seen clearer instructions for hakama folding that these, but the kimono folding instuctions are pretty good

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Thursday, March 30, 2006

Quote on knowledge

I find that a great part of the information I have
was acquired by looking up something
and finding something else on the way.
Franklin P. Adams (1881 - 1960)

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Martial Arts Ad – Yubiwaza (1968)


I just love some of the old classic style ads, and this one is just so amusing. “Yubiwaza,” what’s that?

The word “yubi” translates to the word “finger” and “waza” means “technique.” While the art I teach has numerous “yubiwaza” some of which will drop a large man, I would never even dream of making any claim similar to the ones listed above.
The funny thing about this ad is that this system is actually based on a jujutsu art called Sosiushi Ryu.

According to the 16th inheritor of Sosiushi Ryu, Master Manzo Shitama, a samurai named Masanori Fugatami Hannosuke, a master of Takenouchi-ryu, founded Sosiushi Ryu in 1650. Masanori Hannosuke then taught his martial art system to another samurai named Shitama Matahichi, whose family have been the inheritors of Sosuishi Ryu ever since.



The lady pictured in the ad is Yoshie Imananmi who was the wife of Mr. Nelson Fleming, a Sosuishi Ryu instructor in New Jersey.

It seems Mr. Fleming was talked into writing a book on jujutsu finger techniques, and what was suppose to be a 100 page book turned out to be the fourteen page pamphlet offered in the ad above.

Reportedly, Mr. Fleming stated he had no input on the advertisement of this product. However, I couldn’t find any information (even on the official Sosuishi Ryu website) stating that he ever denounced the preposterous claims of this advertisement, or was upset with the publisher for producing this publication instead of his intended work.

I’ve never seen this pamphlet, but I think it would be interesting. All I can say for now is that I hope my wife never gets a copy of it.

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E-mail from a Reader: Why No Names?

I’m not sure why I’m addressing this topic, but I received an e-mail asking me why I don’t mention names, when I discuss various topics, such as my article on “Martial Art Belts” (referring to the teacher with a 15 colored belt system), “Hall of Fames,” and those that questioned my martial arts validity on E-budo.com, (see entry titled “Koryu Purists”).

You know I never thought that was an issue. The basic answer is naming names is not necessary in those articles.

First of all, in the case of E-budo.com, and other sites like them that questioned and discussed the validity of my martial arts background, naming names would just make the article personal, and sound like I’m attacking particular individuals who expressed their opinions. Opinions they have a right to, but could have been expressed more graciously.

Besides, I didn’t spend much time on E-budo reading all the posts, and I definitely didn’t take the time to write down whom each person was, or what they said. Even when I finally did address their questions in their forum, I didn’t respond directly to any one individual.

To be honest I didn’t care who these individuals were since I have never met any of them face to face. However, Spencer, my student who responded on behalf of the school, did take the time to look up these individuals, and their backgrounds were interesting. Surprisingly few were Koryu stylists.

My article, “Koryu Purists” was written as a generalized response to their attack on my credibility. Not only for those that wrote on E-budo, but for those that read the thread (several 1000 from what I heard), and for those who share the same beliefs that if you are Koryu you must look down upon others you perceive are not. This is a sad snobbery disseminated by a few very well known Koryu practitioners.

That article was written in order to vent my feelings, and because I’m not the first, or the last person, these people will do this sort of thing to.

As for the teacher described in my article “Martial Art Belts,” he is a friend. Though we have debated his belt system numerous times, there is no need to mention his name. Not that he would care, but it’s his business what he does. It’s not my place to judge his business decisions, and naming him wouldn’t have changed the gist of what I was trying to say.

Besides, if readers look around they can find numerous other teachers just like him. He is but one example of a growing trend.

As for the “Hall Of Fame” article whose name should I use? The letter I quoted is interchangeable. Sure they may word things slightly differently, but except the prices, they all say basically the same thing.

Naming individuals in this case would just be asking for problems. I would clearly insult someone, or someone who knows someone.

Believe it or not there are many people who value these Hall of Fames, and think they have a lot of merit. The one I attended had over 60 inductees, all of which paid $200.00 plus for the honor. Tell some of those guys their award is meaningless and see what happens.

With all that said, the real answer to this question is this:
#1 – When I write I have no intention of disrespecting anyone, or starting a conflict with any individual or their supporters. That’s easier to accomplish by leaving their names out.
#2 – When the need arises I will name names. Sometimes that can’t be helped. However, I will never ever write something about anyone I wouldn’t say, or haven’t said to his or her face. That’s not my style, and I believe in treating others, as I want them to treat me.
#3 – Sometimes in order to tell a story one must generalize, and use a composite of many individuals as an example. In this case there would be no name to use.
#4 – My memory isn’t what it use to be, and sometimes try as hard as I might I just can’t remember names. To many hits to the head I guess.

So Joseph, (the name of the guy who posed the question)--see I used your name--I first of all want to thank you from reading the articles on my “blog,” Nice to see somebody other than my mother is.

Secondly, like I wrote you back, I would really be interested in what compelled you to ask me this question in the first place. I must have really hit a nerve with one of the three listed articles.

You’re not the head of the Galactic Martial Arts Federation by chance? If so, I meant no disrespect.

Lastly, relax Joseph. You take my opinions/rants way too seriously. In addition, you were wrong: I did address your concern on my “blog” after all. Well, sort of! The rest is best left for another time.

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Wednesday, March 29, 2006

Quote on Instruction

“In ancient times, there were no martial arts schools as we now know them. Instruction took place wherever and whenever a teacher decided to practice or to share his wisdom -- whether in an open field or deep within a fog-shrouded mountain. Some martial arts masters claimed that the only school was on the battlefield.”

KENSHO FURUYA, KODO: Ancient Ways

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Martial Art Hall Of Fames




It happens at least two to three times a year. I go to my mailbox and inside there is some official looking packet, from some martial arts association, informing me that I have been “nominated” for induction into their Hall Of Fame.

You can just imagine my surprise. Me nominated for such a prestigious award. Why, I’m so flattered. I never ever expected this to happen. It makes all those hard years of work all worth it. When and where do I have to go to pick up my award!

Wait, what’s that small print? It’s going to cost me $189.00 for this honor!? In addition I have to pay my own airfare to the event, and the hotel, and other travel expenses.

Excuse me, I thought this was award! I thought I was the 2006 Master Instructor of the year.

Okay, if you couldn’t tell I was being sarcastic. The truth is most of these so called Hall of Fames are meaningless. They are nothing more than a way to inflate egos, generate business, or line the pockets of those organizing these events.

Now I’m not saying it’s wrong to honor martial artists within ones organization, but the term, “Hall of Fame,” implies something more meaningful. Especially to the general public, who are used to such hall of fames dedicated to baseball, football, and basketball.

In other words claiming that such an event is a “Hall of Fame” is misleading: an overstatement of the actual merit of the event.

First of all, there is no physical “hall,” such as those that exist for the sports of football, basketball, and baseball.

Secondly, there is no national, fully accepted, governing body, which oversees the martial arts. Put ten martial artist who have never met before, and I bet they will have ten different opinions of who is worthy of such an honor, and who isn’t. Sure, given time they could find many worthy candidates, but no matter who they picked, there would be others who would question their choices.

Further more, I doubt they would select someone like me who runs a very tiny school, is basically unknown, and so far hasn’t contributed anything so amazing or outstanding to the martial arts world. (I’m not debasing myself; I’m just being realistic.)

Lastly, in order to validate a “Hall of Fame” those inducted have to have certain credentials. They must have done something above and beyond the abilities/norms of most of us who practice/teach the martial arts. They must be the best of the best.

For example: pioneers like Gichin Funakoshi, Jigoro Kano, and Morihei Ueshiba, instructors such as Wally Jay, Gogen Yamaguchi (The Cat), and Judo Gene LaBell, fighters like Joe Lewis, Benny the Jet Urquidez, and Super Foot Bill Wallace, and actors like Bruce Lee, Stephen Segal, and Jet Li.

All of these men set a certain standard, which many of us look up to, and try to emulate today. Many paved the way as well as aided in the popularity and propagation of the martial arts. These are contributions that are worthy of being honored.

Of course when one reads the letters that come with the nomination forms for most of these Hall of Fames, those with the above credentials are not their target audience.

A recent letter I received states:

“Most of you know of “Black Belt” magazines “Hall of Fame”; giving top honors to our famous types we all read about and see on the Big Screen. Many/most of us will never achieve this Honor! If you do…”hats off & congratulations”! However, the average Instructor(s) are our focus… and always have been & will continue to be our reason behind this project.


“Average” instructor! Since when do we honor people for being average? Since when does any organization place ordinary individuals in a “Hall of Fame?” Doesn’t the word ”fame” alone imply more than average.

Of course the above quoted letter goes own to justify these types of induction by stating the following:

“Many Instructors work multiple jobs, many Instructors work more hours in their schools than regular jobs, and many Instructors behind the scenes put countless hours at home and weekends planning projects for their schools. They have sacrificed normal lifestyles in exchange for their love of the people and new people coming into their schools. They have gone through major financial distress to keep their schools going; 2nd mortgages, some it cost marriages/relationships, because their love of the arts! Most people don’t understand what it takes to be an instructor, a father image, big brother, counselor, teacher, mentor, best friend, & more! People count on us (Instructors) to make their worlds easier not even realizing what it takes out of us! But WE LOVE IT!!


Some instructors have enjoyed a great living from their schools & some do it for the love and volunteer teaching time! None the less, we’ve given an continue to give.


So…why not have a Most Elegant Day for those who are well deserving of this day! Lights! Cameras! “HONOR”!!”


Based on these justifications, many of which I have definitely faced, almost every martial art instructor on the planet should be inducted. Then again the same could be said for a lot of other occupations, which also meet these qualification, yet clearly have no Hall of Fame.

What is worst is that these Hall of Fames don’t stop with instructors. Looking over the list of possible categories for induction I counted at least 60 categories, ranging from master instructor of the year, to most improved student. There was also one for most martial arts spirit, competitor of the year (female and male), humanitarian of the year, and student contributor, what ever that means.

As for me I my latest nomination was for “Black Belt Excellence.” I’m not even sure what that means, or what the qualifications for such a title would entail.

Since I don’t wear a black belt, and my school does not have a belt system, it really makes me wonder who nominated me. A question I always ask myself, since none of the forms I’ve read stat who that individual was. I wish they did, because I would love to ask them what they were thinking.

My biggest problems with these “Hall Of Fames” are the awards they hand out. My recent packet promised the following:
1. One huge plaque (three times the size of the previous ones)
2. 11x17 Diploma/scroll suitable for framing
3. Hall of Fame induction patch
4. Hall of Fame inducted members lapel pin
5. An official press release that can be sent to one’s local media (This group actually offers to “bombard” one’s local media with stories about one’s accomplishments and induction into their Hall of Fame.)

Sounds quite impressive, and if the media thing were true, that alone would be worth the $189.00 fee. After all, advertising the school is very expensive. However, where I’m located, San Francisco, CA, I doubt the local media would take an interest. We already have our share of martial art celebrities.

Of course, the certificates and awards that accompany these inductions make great wall decorations, and impress most students/potential students who aren’t savvy enough to question their value. After all, who wouldn’t want to be taught by someone who is a member of the Hall of Fame--especially someone who has been inducted on numerous occasions for a myriad of reasons.

One instructor I read about on the Internet has over thirty of these awards, all of which are posted on his website. I don’t know the guy, so I won’t comment about his qualifications, but if I were a novice looking for a school, and saw all his awards, I would most probably be impressed enough to sign up for classes, compared to a school where the instructor had none.





Like I said before, I have no problem honoring the “average” martial artist like myself. Just call it something else. Don’t make the award sound more prestigious than it is.

If the award is limited to people in a specific organization that’s fine, but label the award properly. Instead of stating that the person is “The 2006 Hall of Fame Master Instructor of the Year,” title the award in some manner such as, “The 2006 Galactic Martial Arts Federation Master Instructor of the Year.”

Who knows, depending on the organization, and the services rendered by the individual to them the award could actually be legit. Maybe! After all, an award like that is at least based on the organizations requirements and nothing else.

By the way if an organization such as the Galactic Martial Arts Federation exists I apologize for using you as an example. I wasn’t aware of your existence. But if you do exist, I’ve taught enough Power Ranger, Klingon and Jedi wannabes to qualify for the Galactic Martial Arts Instructor of the Year award. Thanks in advance.

(Note: Before people start sending me e-mails reminding me of the fact that I was inducted into the USMA Hall of Fame several years ago, let me state once again for the record that I always thought the “honor” was silly. It was an excuse to travel, and meet others who have spent a lifetime practicing and propagating the martial arts.

Yes, the certificate once hung on the wall, but I’ve always been the first to tell others what it was really worth, especially those that have asked what I did to win such an award. (Basically, I was honest and said I didn’t know.)

And before you think my opinion of these types of the awards has changed recently, you would be wrong. I have always felt this way.

However sometimes its just fun to involve yourself with some silliness. After all who doesn’t like dressing up and being the center of attention: if only for a few moments.)

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Iai Cartoon

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Tuesday, March 28, 2006

Quote on Wisdom

The first step in the acquisition of wisdom is silence, the second listening, the third memory, the fourth practice, the fifth teaching others.
Solomon Ibn Gabriol

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The Wisdom of “Mr. Miyagi”


Title: The Karate Kid
Starring: Pat Morita, Ralph Macchio
Directed by: John G. Avildsen
Date of Release:1984

Daniel: Hey - you ever get into fights when you were a kid?
Miyagi: Huh - plenty.
Daniel: Yeah, but it wasn't like the problem I have, right?
Miyagi: Why? Fighting fighting. Same same.
Daniel: Yeah, but you knew karate.
Miyagi: Someone always know more.
Daniel: You mean there were times when you were scared to fight?
Miyagi: Always scare. Miyagi hate fighting.
Daniel: Yeah, but you like karate.
Miyagi: So?
Daniel: So, karate's fighting. You train to fight.
Miyagi: That what you think?
Daniel: [pondering] No.
Miyagi: Then why train?
Daniel: [thinks] So I won't have to fight.
Miyagi: [laughs] Miyagi have hope for you.

This is one of the few movies my teacher and I went to see together at the movie theatre. Most of the other movies were Japanese films, some of which were my first introduction to “adult cinema.” “Realm of the Senses” still haunts me to this day.

Since my teacher’s English was limited, I’m not sure how much of the dialog he understood; but he did like the movie. That’s not to say he thought the movie was well done, he just found the premise pretty funny. Entertaining, but funny.

He also made it clear he didn’t like Daniel, and that if I had been like “Daniel-san” he never would have accepted me as a student. Being stubborn like me was one thing, but he found Daniel irritating and very whiny. I guess that was his way of complimenting me, and with the few positive comments he ever gave me; I’ll take what I can.

Of course my teacher was no Mr. Miyagi either. He never me made do, “wax on, wax off” or “paint the fence,” but he clearly wasn’t as nurturing as Mr. Miyagi. Not to me, or even his own family.

Though he disliked Daniel-san, he did like Mr. Miyagi. He said Mr. Miyagi reminded him of several people he had known in Japan, and he liked his philosophy-- especially the quote above.

No, it wasn’t the part about learning martial to avoid fighting, though that is a good philosophy, and one he agreed with. The part he liked was the idea that no matter how good you may be there is always someone who knows more.

My teacher said he could really relate to that statement, and that was something that was true in all facets of life. He also made it clear that I should never forget this sentiment as I progressed with my training.

So far I haven’t forgotten, though over the years I’ve often been reminded of that lesson the hard way.

My teacher told me many times that he was not a fighter, and as teenager avoided fights whenever possible. However, as a teen he had his share of free-for-alls, some of which he won, and some that he lost. Of course win, lose, or draw, he always learned something. Most of all, he learned that fights hurt, even if you walk away the winner.

Of course for my teacher nothing was worst than coming home after a fight, because win or lose, he would be punished, beaten, and forced to do “extra training.” This training was often harsher than normal, and intended to send the message that fighting in public would not be tolerated.

My teacher once told a story of his brother who, after getting into a fight, was beaten by his father. He was beaten so badly that he missed school the next day. If that wasn’t bad enough, a few days later, the “extra training” became so intense his brother was permanently injured: an injury that was debilitating enough that it affected him the rest of his life.

My teacher was also very strict with his son and I about getting into fights. It didn’t matter what the circumstances were. Short of defending our very lives, we were told never to fight, or we would suffer the “circumstances” when he saw us.

Unfortunately, there were a few times I discovered what those “circumstances” were. Trust me, no fight is worth the punishment an angry sensei can dish out.

I’ve always stated that I am not a fighter, and avoid conflict whenever possible. However, I’ve had my share of altercations, as a teenager, in competition, and professionally as a police officer.

Some I’ve won, some I’ve lost, and in some cases the “Calvary” came and helped subdue the bad guy before things got to out of hand. Just like my teacher, I’ve learned from all these altercations.

Of course I’ve learned that win lose or draw, there is pain involved in any fight, and that no matter how much it appears you may have the upper hand things can go bad instantly.

However, the main thing I have learned is that no matter how good I think I am, there is always somebody just a little better, a little quicker, and/or a little stronger than me--even among those individuals that have no martial art training.

The “Karate Kid” movie may have been silly, and unrealistic. Surely, there are parts of it that could have been left out, and were just part of the Hollywood formula. Fortunately, and why some find the movie so endearing, are the gems of wisdom within it. Clearly words to live by.

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The true meaning of “Black Belt”

I’ve already expressed my opinion on this point in a previous article, but I really like the way the author Hidetaka Nishiyama, expresses his opinion on the topic. Further more, I think his opinion carries more weight, as a he is a karate-ka, and a 9th Dan in Shotokan Karate, a martial system that utilizes a belt system.


THE TRUE MEANING OF "BLACK BELT" AS IT SHOULD BE.... AND AS IT IS
by Master Hidetaka Nishiyama

In English history a man of valor and dignity who excelled in the arts of combat and social amenities was rewarded with the title of Knighthood. A designation which let it be known to all that he was a man not only of honor, but also of great fighting ability. This was true in Japan where the same type of men were called Samurai. In neither country was the man nor his rank to be taken lightly. For the prowess and title of each commanded respect! At this time both of these countries consisted of feudal states in which men, like the knights and samurai, were a necessary product of the social conditions in which the lived. A situation which does not exist today. Yet the desire for a man to excel in a martial art, for discipline and self-defense, still exists.

Today a man strives initially in the martial arts to become a "Black Belt" in karate to learn to fight. But as his training progresses he should become aware of a stronger calling, the molding of himself into a better person, not only in fighting ability but also in dignity and honor. This has traditionally been the goal of the martial arts student. The black belt is an award or honor given to the modern knight or samurai who has sacrificed many hours in disciplining and honing his body and mind to achieve the epitome of physical and mental attainment. The black belt is the symbol of an expert. Originally, the ranking system was established to provide a series of levels by which students could measure their progress. The first black belt awarded for karateka is known as a "Sho-dan".

This means the student has mastered the basics of the art and is now ready for a more advanced form of training. The student who continues training will now receive "Dan" ranks or degrees of black belt as he progresses. This ranking system has worked very well in motivation the student, but it also has developed some problems.

First, there is a disparity of standards. A proper ranking system should remain universally constant; just as on a ruler one inch is always equal to one inch, so should the standard of rank be equal. However, it must be remembered that the ranking in the martial arts consists of testing human reaction and because of the individuality of each person it is difficult to declare a definite set of standards. Yet this is what must be done if the rank of black belt is to have meaning. Judo and Kendo have one international standard of testing which prevails through the world. This is due in part to both of them having their origin in Japan where the rules of rank grew with the art. But with karate there were many different schools with each having its own set of standards when it came to testing. So when karate was propagated internationally the various countries embraced each style and each set of standards. This made possible a situation in which unscrupulous individuals were able to set up their own organization in which they handed out black belts to many unqualified student s who in return decided to set up their own schools and hand out their black belts. Many of these same people also decided to promote themselves for financial gain. The end result is that many black belts are a disgrace to not only themselves but to the art of karate. Someone once commented that just as there are international money exchange counters to re-evaluate foreign money, there will have to be black belt re-evaluation centers also. To this another added, that if these ever came about, the exchange list would be as thick as a telephone book.

Since the public is not aware of the differences in ranking and the ability of a true black belt they are easily lured into clubs which will award a black belt to students after only a short period of training. This is not only dangerous to the student but degrades the quality of all karate. The public should be wary of those clubs which use the word black belt as a come on to cheat people out of their money. In a reputable club a black belt can be earned in three to five years of hard work and only under competent instruction.

It is for these reasons that karate should have a standard system of testing as soon as possible. It is also the responsibility for those of us in karate to educate the public as to the significance of the karate black belt. Likewise each karateka must realize that the black belt is not a gift, but a goal, a symbol of one’s great effort. In setting up a high quality ranking system, not only the student but karate in general will benefit. Thus instilling a greater sense of pride and achievement in the receiving of a black belt. The knights and samurai of old allowed nothing to tarnish their honor. Should the Sensei and black belts of today desire anything less?

Source: www.fightingarts.com


Hidetaka Nishiyama started his martial arts training in 1942 under the instruction of Gichin Funakoshi. He is considered to be a pioneer in the art of Japanese Karate, and in 2000 the Emperor of Japan designated him as a living national treasure. An award given to only a few individuals, which have shown a life long dedication to their craft and have endeavored to preserve Japan’s cultural heritage.

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Monday, March 27, 2006

Quote from Dave Barry

Karate is a form of martial arts in which people who have had years and years of training can, using only their hands and feet, make some of the worst movies in the history of the world.
Dave Barry

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The Difference Between Strength and Courage

I don’t know who wrote this, but it is so true.

The Difference Between Strength and Courage

It takes strength to be firm.
It takes courage to be gentle.

It takes strength to stand guard.
It takes courage to let down your guard.

It takes strength to conquer
It takes courage to surrender.

It takes strength to be certain.
It takes courage to have doubt.

It takes strength to fit in.
It takes courage to stand out.

It takes strength to feel a friend's pain.
It takes courage to feel your own pain.

It takes strength to hide feelings.
It takes courage to show them.

It takes strength to endure abuse.
It takes courage to stop it.

It takes strength to stand alone.
It takes courage to lean on another.

It takes strength to love.
It takes courage to be loved.

It takes strength to survive.
It takes courage to live.

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Book Review: Taiho-Jutsu and Secret Weapons of Jujutsu

Here are two books by the same author that I was very happy to add to my collection since they are very closely related to the martial arts I teach. Or, I should say, they cover the history and weaponry of many of the implements that were employed in the system of martial arts I was taught.

They are two of only a few books I’m aware of that cover these topics in English. Unlike many others these two focus more on the history and development of the various described weapons than on just usage.

Given the topic matter, I strongly recommend these two books to anyone interested in Taiho-Jutsu, the history of law enforcement during the age of the samurai, or weaponry such as the jutte (truncheon), tessen (iron fan), yawara (short wooden rod), hojo jutsu (tying arts), and more.


Secret Weapons of Jujutsu

By: Don Cunningham
ISBN: 0-97002808-0-7
Publisher: Budo Kai, Ltd.
Year: 2000
$22.00

“Secret Weapons of the Jujutsu is the first book to appear in English that offers a detailed introduction to exotic defensive weapons like the tessen and jutte as well as other hibuki, or 'concealed weapons.'"

This description, found on the inside cover of the book, is exactly why I purchased this book. After obtaining the book and reading it over twice, I was not disappointed. This book definitely lives up to its claim.

This book is not an in-depth look at any of the weapons described, but this book does offer some basic information. There is enough information to give some insight into to the various small arms described in the book, their history, and some actual techniques one can employ with them.

In Japan, there is a similar book to this text. To be honest, I was hoping that Mr. Cunningham’s book would have been more like its Japanese cousin. While this text is a good “introduction” on the topic, there are many more “secret weapons” he could have discussed--some of which are almost, if not totally, unknown in the west.

I don’t read Japanese so I couldn’t even start naming some of the odder-looking weapons pictured in the Japanese book on “secret weapons.” In addition I have never seen many of them demonstrated, and don’t even know if there are any teachers that still teach their usage.

Because I can’t read Japanese, and know this information is available, I was hoping Mr. Cunningham, who clearly has resources in Japan, would have mentioned at least some of these more unique and unfamiliar weapons.

In fact I would have preferred leaning more about those weapons than having techniques described, learning about various schools that teach unarmed martial arts, Tokugawa era police, and Japanese feudal social structure. Not to say this is not interesting, and informative, but they are not what the title proposes to cover.
While this book presents good basic material, and is worth reading, if one has to choose which of Mr. Cunningham’s texts to purchase I would suggest “Taiho-Jutsu.” The only reason for this opinion is that “Taiho-Jutsu” is more comprehensive, and covers almost the same information.



Taiho-Jutsu: Law and Order in the Age of the Samurai

By: Don Cunningham
ISBN: 0-8048-3336-5
Publisher: Tuttle Publishing
Year: 2004
$24.95

The part I really liked about this book, and its strong point, is the history regarding law enforcement in the age of the samurai. A topic rarely, if ever, written about in English texts.

In fact this book is the first text I found that really gives a thorough description of the various officers, machi-bugyo-sho (town magistrates) to the lowly hoyokiki (part-time police assistants), and their duties. Even given my background in a martial art that was most likely developed and propagated by a doshin, (officer), I didn’t realize how many different classes of police officer there had been.

The first sixty pages of this book cover topics such as defining social classes, kabukimono (street hooligans), Edo-period justice, penalties and punishments, and civil authority and policing.

While none of these topics are covered in depth, this book provides enough information to fully understand the topic, and gain some insight to the social and legal structure of Japan during this time period.

The rest of this book is divided into describing the various arresting implements used by the Japanese law enforcement (their history and design), and how these implements were used. Some of this is similar, if not identical, to the information listed in the previously reviewed book.

I liked the section on the various weapons utilized by Japan’s police force, and think the topic is covered quite well. There is just enough information presented. Mr. Cunningham has stuck to presenting only the details, which keeps each section concise.

The weakest part of the book, at least for me, is the section that shows how to use the jutte. While the material is presented well, and each diagram is explained sufficiently, I think having this section reduces the over all tone and quality of the book.

I think Mr. Cunningham should have saved that information for another book--a book intended just to teach the “how too.” After all, the initial part of this book is clearly meant to impart historical information, and that information is what is lacking in English texts.

In other words there are already texts that cover how to use the jutte in English, and the techniques described in Mr. Cunningham’s are nothing unique enough one can’t learn from another source--even a book that is not in translated into English. To be honest, most of the forms presented are fairly basic techniques.

Additionally, I think the jutte material in this book is essentially the same as Mr. Cunningham’s previous book. The big difference is that photos are used in book one, and illustrations are used in book two.

While I think how the jutte was used is important info, I would have preferred to see techniques for some of the other weapons presented in this book. I’m not sure how much exposure Mr. Cunningham has regarding the usage of the sodegarami (sleeve entangler), kusurigama (sickle with weighted chain), or yawara (short rod), but these weapons are less known, and seeing techniques related to them would have been more interesting.

Just like the historical information presented in the first part of the book, much of which is unknown in the west, few people have ever had the chance to witness demonstrations of the above listed weaponry in action. The jutte or the tessen, in comparison, are more widely practiced.

Overall I really like this book, and highly recommend to anyone interested in samurai history, samurai weaponry, or lesser know martial arts weaponry.

* * *

Mr. Don Cunningham has over thirty years of martial arts experience, studying both contemporary and ancient martial art systems. He holds advanced ranks in judo, jujutsu, and kendo. Besides the two books mentioned above, Mr. Cunningham has also written numerous articles for various martial art publications.

I have met Mr. Cunningham only once, when he attended the local San Francisco Token Kai (Sword Collectors’ convention), and on that day we had just a short conversation. Basically I just teased him a lot since he is always outbidding me on items listed on EBay.

However we did discuss his collection of jutte, and by the sound of things he must have an excellent collection.

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Cartoon

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Friday, March 24, 2006

Quotes

“No one can make you feel inferior without your consent.”
Eleanor Roosevelt, “This Is My Story,” 1937

“There will be a time when loud-mouthed, incompetent people seem to be getting the best of you. When that happens, you only have to be patient and wait for them to self-destruct. It never fails.”
Richard Rybolt

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Movie Review: The Last Samurai


Title: The Last Samurai
Starring: Tom Cruise, Ken Watanabe, William Atherton, Chad Lindberg, Ray Godshall, Billy Connolly, Tony Goldwyn, Masato Harada, Masahi Odate, John Koyama, Timothy Spall, Schichinosuke Nakamura, Togo Igawa, Hiroyuki Sanada, and Shun Sugata
Directed by: Edward Zwick
Date of Release: 2003
Running Time: 154 minutes

When I first heard they were making this movie I was very excited and couldn’t wait for it to be released at the theatre. Then I heard Tom Cruise was cast as the lead and my enthusiasm hit rock bottom. I swore to my family, friends, and students that I wouldn’t waste $9.50 to see this at the movie theatre. And I didn’t.

Even after many people told me the film was very good and that I would enjoy it, despite Tom Cruise, I still didn’t break down and go. Yes, I’m stubborn!

Well, even after all was said and done I did finally watch it on DVD. And you know what? Despite Tom Cruise, I did really like it. I thought the movie was very well done despite some major faults and historical inaccuracies.

Now, I’m not a Tom Cruise basher; he has done some good work over the years. I just couldn’t picture him cast for this part. There would have been so many actors more suited for this role. I do, however, have to admit I really enjoyed watching him get the crap beaten out of himself over and over again. (Funny how many people agree with that statement, even if they have other reasons to feel that way.)

While I enjoyed the movie, I felt many parts of it were too Hollywood, and either could have been left out, or changed.

For example, I would have liked to see more action and/or training sequences, instead of so much romance. After all, it’s really hard to believe that a woman could fall so in love with the man who had killed her husband. Wouldn’t the wife of a samurai seek revenge, especially against a barbarian? I mean at first that’s just what she wants to do.

In addition, how in the hell could have Tom Cruise’s character survived the final battle. Everyone else died, and he was shot numerous times with a large gauge caliber gun. They made sure to show that in graphic slow motion detail. It didn’t make sense.

Then at the very end of the movie he returns to the village where the “rebels” had their base. I would have thought, given the history of Japanese warfare, that such a village would have been burned to the ground. There would have been nothing to go back to, even if the Japanese would have let him return. After all, he was a rebel, a criminal. I would think if, and I mean if, they let him live he would have at least been deported.

Another issue I had with this movie is that technically the audience is made to route for the bad guys. At least they were the bad guys from a true historical perspective. After all, these men were rebels, trying to restore Japan’s old ways. They were anti-government and they killed people (innocents and politicians) to try and push their political agenda.

Those are some of the elements I didn’t like. Fortunately there were plenty of things I did like, which when all totaled makes the movie worth watching.

First of all, I liked the music and the cinematography. The costumes are also great, and I will always be jealous that Tom Cruise got to wear samurai armor before I did. I know that’s petty, but I’m still envious of Richard Chamberlain ever since he did “Shogun,” and wore all those beautiful hakama and kimonos.

Then there was the character played by Ken Watanabe. I really felt his character exemplified the true code of bushido. He was a real warrior, who knew in heart he was fighting a lost cause, but was willing to fight for what he thought was right.

In addition, I liked that his character wasn’t just portrayed as a cold-blooded warrior. He definitely had a sense of grace and refinement about him. He was educated, articulate, and poetic. A true samurai.

I also liked the fact that Tom Cruise’s character was just a man. A flawed man (a drunk) who wasn’t superior, mentally or physically, just because he was a westerner. He was also not a very good fighter, a trait. I truly appreciated since I would have been very upset if he had been depicted as some type of super-warrior who was unbeatable. In fact his lack of skill made the movie more believable.

I really liked that he was not good with a sword, which shows how the west had turned to the gun and abandoned sword work by this period in history. The training sequences where he learns to use the Japanese sword are some of the best moments in the movie. I really enjoyed watching him get battered.

Sort of reminded me of my training, and those days when my teacher would lose his patience and just whack me over and over. It was a quick way to learn a lesson since you only get hit so many times before you learn to either move out of the way, block, or die. This is a lesson Tom Cruise’s character clearly and quickly learns.

Then there is the parallel that was made between the struggle of the American Indians and the Japanese who were trying to hold onto their traditions and way of life. It made a lot of sense that tradition had so much meaning; meaning enough for these men to die for. They simply didn’t want the glory of their past forgotten, especially just to usher in foreign ways.

Naturally, I also liked the action sequences, and fully appreciated they were real and not some digitized special effects. The fight scenes displayed a lot of emotional power and technical finesse, without sacrificing any artistic appeal. They depicted true combat of the period, no holds barred.

Like I said I had mixed emotions when I first heard about this movie, but once I saw it any reservations I had were set aside. It’s not what I would call a great movie, but it is entertaining, thought provoking, and emotionally stirring. I don’t think anyone who watches this movie won’t feel a sense of loss when the rebels are mowed down by gunfire.

Anyone who knows the history of this story knows they’re going to die right from the start, but by the end of this movie you really wish they would win. You are truly drawn to these men, and their way of life. The life they want to preserve.

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Diet Idea – Orange Peel Juice

Once again I would like to state for the record that I’m not a doctor, an herbalist, or dietician. However, I’ve tried this recipe before and it did help lose some pounds. According to the student who gave me this idea it is also suppose to be a very good source of vitamins, and a drink that can lower cholesterol.

(One orange will meet about 20% of an adults daily folate needs, as well as being an excellent source of vitamin C. Oranges supply 80 fat-free calories packed with energizing carbohydrates that fuel energy levels. In addition, oranges contain Monoterpene and d-limonene, which comprises more than 90% of the oil in orange peel. These two items have been found to prevent some cancers. Recent tests on the anti-oxidant effectiveness of various commercial fruit put oranges at number five in effectiveness against damaging oxidative processes in cells.)

Basically this is an all-natural drink that you take three times a day. I’m not 100% sure why it works, but I believe it could be a result of the high concentration of pectin (a water-soluble fiber) found in oranges.

Pectin is known to suppress hunger for up to four hours after ingestion. In addition studies have shown that pectin also helps reduce cholesterol levels, and can help lower the risk of heart attacks.

While I don’t know if this is the only reason this recipe is so successful I’ve had several female students who swear by it. One eighteen year old lost 15 pounds in two months using this recipe, and she didn’t change her normal eating habits.

When I tried it, I lost ten lbs, in two months and I have to admit I ate a lot less than normal.

The nice thing about this recipe is that is very simple, requiring only two ingredients, and about half an hour of prep time.


Ingredients:
Approximately 2 – 4 pounds of oranges (I suggest juice oranges, but you can mix various types.) (I also strongly suggest organic oranges, as they are less likely to be coated with pesticides and other toxins.)
3 quarts of water

Instructions:
Wash all oranges thoroughly. Cut oranges in half. Remove pulp. (I suggest juicing them since you discard the pulp.)
Discard pulp (All you want to use is the peal and the white fluffy stuff attached to the peal.)
Place orange peals in pot and add water
Bring to boil
Boil for approximately ½ hour
Let cool

Dosage:
Drink three 8-ounce glasses pure day.
Can drink warm or cold.
The flavor is a little bitter so if you must, you can add one teaspoon of honey per 8 ounce glass for sweetness.

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Thursday, March 23, 2006

Ulysses S. Grant – The Art of War

“The art of war is simple enough.
Find out where your enemy is.
Get at him as soon as you can.
Strike him as hard as you can,
and keep moving.”
Ulysses S. Grant

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On Associations and Organizations

On my web site I list several associations that I have, or once was a member of. Of the five or so listed, there are only two I have ever been really active with, and only one that I still have some lose affiliation with.

There is also a disclaimer about my membership in these organizations, which it seems several people have misunderstood, and made comments about.

First of all, I don’t believe I am superior to any of these organizations or any member associated with them. I think many of these groups have many talented members, many of which have something to offer towards my growth as a martial artist.

I’ll be the first to admit I still have a lot to learn, not only regarding techniques and transmission of technical information, but also the business end of teaching and running a school.

My disclaimer is based on the fact that I do not support many of the political agendas of these groups, and/or agree with many of their policies.--policies such as Hall of Fame awards or promoting people to higher ranks. I especially disagree with when they try and promote people like me in their own art, something they don’t have experience in or the authority to do.

I also have no desire to be put in a position where other groups or individuals think I’m part of their political positions or agendas, or assume I agree with the way they conduct themselves, professionally or privately.

While I believe many of these groups mean well when they start, I think many get lost along the way, and their organization turns out to be little more than a way to generate extra income for those in charge.

You know the type of organizations I’m talking about. Those are the organizations that offer you all sorts of things such guaranteeing that if you join, then your student body will increase, and that you will be promoted to higher and higher ranks. They will certify you, help you with your curriculum, and advertise in the local media for you. They will give you stickers for your window and papers to hang on your wall to help you legitimize your school and tell others how your school is superior to the others in your area.

The problem is they don’t follow through with any of these promises. The papers they issue are meaningless, even to most of the public who doesn’t even know better. They can’t generate students: people are either interested or they are not. And, at least in my area, to get mentioned in the local media requires some major event, or a lot of cash to place an ad.

Unfortunately, these promises are very appealing to someone starting out in the business of running a martial art school, and are extremely tempting--myself included. After all, who doesn’t want to run a successful school full of students?

I was a cop prior to having a martial arts school. I knew nothing about the business end of running a school. I looked to many sources for help, some which were clearly the wrong ones to choose. However, making wrong decisions and learning from them is part of life. Hindsight is 20/20.

I also have the disclaimer because many martial artists have very fragile egos, and base their opinion of you on the company you keep. If they don’t like somebody and feel they are a political foe, worthless, a scammer, or fraud obviously you must be also.

That’s a ridiculous assumption, but it happens.

For example I know a jujutsu instructor whop travels the world teaching. He is invited to Japan all the time to teach, and is highly respected there. He was also in line to inherit his system of jujutsu from his teacher when he died.

However, with all these credentials, if you mention his name and that you like the guy locally, people look at you funny, question your integrity, and brush you off.

Now, their opinion has nothing to do with his skills as a martial artist, or as a teacher, and these are the only reasons why I respect this guy. Their problem is that twenty plus years ago he had a relationship with another guy’s wife.

I didn’t know him them, I don’t know the woman, and for me this is a personal/moral issue that has no bearing on the jujutsu he does. Okay, he may have made a bad decision, one can even question his moral character, but I don’t train with him to build moral development.

I don’t go to him to learn how to make passes at other people’s wives either, so if I like this guy and want to train with him why should I be automatically condemned for his past conduct? I have skeletons in my closet too, but I always have and always will conduct my personal life according to my morals and beliefs and not anybody else’s.

Another comment that has been made regarding my affiliations with the listed organizations is that my disclaimer appears to suggest that these groups recruited me, rather than the fact I sought them out.

Sorry to disappoint people who make this assumption, but that is partially true. Some of these organizations contacted me before I knew they existed, and even offered me free membership. I don’t know why they did, since I’m barely known, and don’t seek such attention. In addition I’m clearly not worthy of such special treatment either, as I have no special gifts, or have done anything to promote the martial arts in any special manner.

While I could make assumptions as to why they contacted me (MONEY MONEY MONEY), all I can state for fact is why I decided to join some of these groups (as well as others), and why I have disassociated myself with some over the years.

Part of this issue is based on youth and being a little naïve about other martial artists and the martial arts industry. It is also a case of not doing enough homework and research prior to making a decision to join or not join an organization. However, one of the major reasons I did what I did--and my justification for my earlier mistakes--is that I once many years ago had a desire to belong to a larger martial arts community.

My training was basically limited to one teacher. I didn’t have any prior exposure to martial art organizations, other styles, or the petty bickering over ego and politics between many instructors. Having had limited exposure to other arts and martial art practitioners, I was interested in exploring what others were doing. I wasn’t interested in getting involved with all the other associated factors that seem to have come into play over the years.

Like I said, I’ll be the first to admit I made some wrong decisions. One example is when I allowed myself to be inducted into one of the many Hall of Fames that are out there. Yes, at the time I knew it was very silly, but I enjoyed the silliness. I enjoyed the weekend learning from numerous other inductees, the banquet, and how serious they made such a meaningless event. For me, it was a fun excuse to travel away from home for a few days.

Then again I never put much emphasis on the award itself. I knew I paid for it. Any real award has to be earned, and the dinner, ceremony, and award (trophy or certificate) in honor of such an award is normally free of charge--at least for the person receiving the honor.

So far I haven’t done anything to deserve such an award, nor do I feel I ever will.

Lastly, the point was brought up why I am not a member of any Japanese martial art associations. That’s a good one, with a simple answer--an answer that goes back to the entire question of legitimacy to my school, my teacher, and our lineage. Simply put I lack the necessary credentials to even apply to most organizations.

Things might be different if I could afford to travel to Japan, and spend a few months/years there demonstrating what I know. But I can’t.

Of course, even if I were a member of some of these organizations I would still be caught between a rock and a hard place.

Simply put, no matter what organization I would choose, even if it was considered by most to be the most prestigious of them all, there would still be those within the martial art community who would question my choice of affiliating myself with them.

In other words you can’t please everyone, so I choose to please myself and not care what others think.

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Samuraidvd.com

I have been collecting jidaigeki* films for several years now. They are a genre of film I thoroughly enjoy.

At first I started with the basics, “Seven Samurai,” Samurai Trilogy” “Hidden Fortress,” Yojimbo,” Baby cart Series, and several of the Zatoichi adventures. But as time went by, I started searching for some of the more unknown, harder to find films.

Recently I found a website that offers some of the difficult to obtain jidaigeki films. That site is called “samuraidvd.com.”

Looking over their site they offer at least 100 movies, ranging in price from the upper twenties to low forties. Titles such as:

They also offer the five-part Musahi movie, which is based more closely on the book written by Eiji Yoshikawa than the better-known Mifune version, as well as the complete Satan’s sword trilogy. Two movie sets I had had a hard time finding in the past.

Since I have only recently discovered this site, I have not had the chance to order anything yet, so I cannot comment on their customer service or the quality of their products. However, I look forward to making my first purchase really soon.

* “Jidaigeki is a genre of film and televeision or theater play in Japan. The name means period drama, and the period is usually the Edo period of Japanese history which was from 1600 to 1868. Some, however, are set much earlier — “Portrait of Hell,” for example, is set during the late Heian period. Jidaigeki show the lives of the samurai, farmers, craftsmen and merchants of this time. Jidaigeki films are sometimes referred to as chambara movies, a word meaning "sword fight". They have a set of dramatic conventions including the use of makeup, language, catchphrases, and plotlines.”
From Wikipedia, the free encyclopedia

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Tiger Balm Recipe

Ingredients: 56-ounce batch

Menthol crystals - 9.6 oz.
Camphor blocks - 15.36 oz.
Bees wax - 9.6 oz.
Petroleum jelly - 1.92 oz.
Oil of clove - 3.8 oz.
Oil of cajuput - 3.8 oz.
Oil of cinnamon - 3.8 oz.
Ammonium Hydroxide - 1 oz. (optional)

Melt beeswax and petroleum jelly in a pot until completely liquefied.

Remove from heat, and quickly stir in camphor blocks (may help to chop or grate camphor prior). Add rest of ingredients, and stir until consistent, and camphor has melted completely.

Pour into permanent container, and let congeal.

The above recipe will make a nice tiger balm equivalent to the commercial white stuff. If ammonium hydroxide is added, it turns red, and adds a little more heat to it.

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Movie Review: Satan’s Sword Trilogy




These three films tell the story of the vicious and psychotic swordsman Tsukue Ryunosuke, a man who is in possession of, and possessed by, an evil sword. It is based on the novel “Daibosatsu Toge” (“Great Buddha Pass”) one of Japan’s greatest novels.

The story within “Satan’s Sword” has been told numerous times, and anyone who has seen the movie “Sword of Doom” will instantly recognize this tale. However, where “Sword Of Doom” left viewers with a cliffhanger, this trilogy tells the complete story.

I was able to obtain the first two of these films at the same time, but it took me over three years to locate part three. That was quite frustrating since like part one, part two ended with another cliffhanger. (Part two ends with the two main characters appearing to fall over the side of a cliff while having a sword fight.) You can just imagine how I felt having no idea how things would turn out.

Sorry no spoilers here. Let’s just say there is a part three, and all the characters are back, a little more battered, yet still intent on finding their destiny.

The Satan’s Sword trilogy is a great movie experience, even though there are some flaws with the overall storyline. I’m assuming this is due to the fact that this story is very well known, and the producers and director must have thought anyone watching it would already know the story and sub plots. (This is not uncommon in Japanese cinema. It’s something that can greatly interfere with one’s Japanese cinema experience, if they don’t know the history, context, or mythology referred to in the film that makes a scene more relevant.)

Since I didn’t know the story prior to seeing the movie, there were times I felt the movie jumped around and wasn’t linear. However, once I viewed the trilogy a second time I was able to better understand all the plots and sub plots.

Clearly, knowing a little about this period in Japan’s history will also help, as a lot of the political intrigue contained within this movie is historically accurate, as are the people and places involved.

One review I read even stated that the main character is supposedly based on an actual individual named Fuda Ryuzaburo Takafumi, a swordsman of the Kogen-Itto-ryu.

Basically, the main plot of this trilogy is a story of revenge, or the hunt for revenge. The plot revolves around the unnecessary yet intentional killing of a samurai during a contest of skill. Hyoma the brother of the deceased hunts Ryunosuke, the killer, who is a psychopathic murderous swordsman.

Of course this search for revenge is set amongst the backdrop of civil war, the search for enlightenment, love, and jealousy.

Needless to say this movie trilogy is loaded with action and there are plenty of sword and spear fights. Most are very well done, and the lead actor, Ichikawa Raizo, displays some excellent skills.

The only thing I didn’t like was how the trilogy ended. I won’t give it away, but it was a let down. While it makes sense in the context of the movie, it most likely won’t be what one expects from a movie of his genre.

Like I said I really enjoyed this trilogy, and I recommend it.

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Ki Cartoon

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Wednesday, March 22, 2006

Kyudo Program at Sonoma Mountain Zen Center

I've been practicing with this group for three years and have nothing but good things to say about the quality of instruction. If you are intersted in kyudo this is one of the best ways to get an introduction.


Intermediate: May 17 (evening) – May 21, 2006

Beginner: May 18 (evening) – May 21, 2006


The contemplative practice of Kyudo, when taken up with patience and attention to detail, is a dynamic way to focus the mind and open the heart. Kyudo demands that we let go of our goals and expectations and live fully in the moment.

The physical aspect of Kyudo is inseparable from its spiritual aspect. The form and movements provide a subtle mirror of the mind at the moment of the arrow’s release.

In this retreat, beginners will receive training in the basic form of Kyudo, called “The Seven Coordinations”. The training is open to all, regardless of age, strength or physical skill.

Intermediate students will receive instruction in the basics and in formal group shooting.

The retreat will take place at Sonoma Mountain Zen Center Genjo-ji, which is under the guidance of Jakusho Kwong-roshi. This provides a unique opportunity for Kyudo training within the container of Zen Practice.

Traditional hand-crafted yumi as well as all other necessary equipment will be provided.


About the Instructor:
Don Symanski is a longtime Zen practitioner and a warm, skillful teacher. He has studied with Kanjuro Shibata Sensei XX since 1980 and is currently the Head Instructor in the Heki-ryu Bisshu Chikurin-ha form of Kyudo.

Don learned traditional bow making with the Shibata Family in Kyoto.

Since 1991, he has made “yumi”, the Japanese bow, and taught Kyudo as a meditation path.

Cost: Intermediate: $300
Cost: Beginners: $225

Information / Registration:
(415) 681 1185 Lucy Halverson at kyudoka@juno.com
(707) 938 0103 Hans Brede at hgbrede@vom.com

Sonoma Mountain Zen Center: www.smzc.net
Heki-ryu Bisshu Chikurin-ha: www.zenko.org

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Words To Live By – Rev. David Carr

“Blowing out someone else's candle doesn't make yours any brighter.
The joy in life comes not from surpassing another's gifts,
but in fully manifesting our own.”

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Belts …….What are they good for?


“The one who fully understands his own abilities and skills
realizes he has obtained these abilities and skill through his hard work and dedication,
and further more has the capacity to cherish what he has done
for himself and not for the sake of those that may judge him,
is a thousand times more enlightened
than a man who relies on a certificate of achievement,
or a worthless rag around his waist,
awarded to tell him what he has gained or accomplished in the eyes of others.”
Yachigusa, Hiroshi Sensei


I recorded that quote when I was about 16 years old. My teacher, who barely spoke comprehendible English, had to repeat it to me several times, but I think I captured the essence of what he was trying to convey.

This quote is one of the few things he said that I wrote down verbatim, though at the time I don’t believe it meant as much to me as it does now. Of course I now agree totally with this philosophy.

Maybe I’m old-old-school, but I think the colored belt system and many of their associated ranks were a disastrous innovation in the martial arts. Some systems, such as those that have numerous 15th degree black belts, clearly make me feel as if the once-prized “black belt” is basically a meaningless symbol.

Worst yet are schools that give 10 year olds, or younger, a black belt. I’m sorry I just think that is so wrong, for so many reasons. I simply don’t care how gifted you feel the youngster may happen to be.

I come from a system with no belts or ranks. Never had them. Never had a need for them. My teacher, his father, and their ancestors didn’t train to impress others, and if the need arose to show/prove their abilities I’m sure a belt around their waist or piece of paper on the wall wouldn’t have been enough to deter or settle the dispute.

The system I was taught was intended for warfare, and certificates, belts, ranks, and awards have little meaning on a battlefield.

Over the years I have been asked countless times how long it takes to get a “black belt” at my school. Sometimes I’m asked how much it will cost. My answer has always been it takes a few hours, and about $7.00.

No, I don’t offer an accelerated course, that’s simply how long it takes me to go to the store and buy one, and the actual amount of money it takes to cover my expenses.

To date no one has taken me up on my offer.

I’m sure that when Jigoro Kano, (Founder of Judo), and Gichin Funakoshi, (Father of Modern Karate), adopted a colored belt system they had the best of intentions. However, I’m also sure they would be appalled to see the current state of belt systems today. More importantly, I doubt it was ever their intentions that such a major significance would be placed on such a material object.

Now don’t get me wrong, I once used a belt ranking system in my school. Only for kids though, and only because they went to tournaments and tournament officials needed some way to place them in the proper divisions. (I teach kids very differently than adults.)

Even with a belt system in place, I never once promoted any teen to black belt, I never asked for test fees, and my testing schedule was only twice a year. To get promoted by me, meant you worked your butt off, had to maintain at least a “C” average in school, and helped out the school in various ways (help teach, come for cleaning days, demo team, etc). You could be 100% technically proficient during the test, but if you failed the other two requirements I would not promote you.

Because I had belts, I studied their “evolutionary history,” (or lack of history) and as much I would like to deny it, I was even once guilty of propagating several myths regarding them. However, I made sure never to emphasize the belt system for my students, or make it sound as if they had any historical merit. They are after all a modern innovation.

The story I love the most regarding the various colors of karate belts and how one became a “black belt” in the old days goes as follows:

The story starts off with a novice ,who of course wears a white belt.
Since, in the old days, many martial art practitioners trained outdoors, the belt would get soaked with sweat and soiled with dirt. The mixture of continuous dirt and sweat caused the belt to become discolored. Over time the belt would turn green, the color of mildew.
A few more years would pass, and the decaying mildew, combined with more dirt and sweat would cause the belt to turn brown.
More training, more time, more decaying mildew, sweat, and dirt would eventually turn the belt black.
But the story doesn’t end here.
Further training would cause the belt to fall apart, until one day it opened and the practitioner was once again a white belt. Not just a plain white belt, a double white belt. A true symbol to show the world he had mastered his art.

The above story is a very romantic notion, and I can see how it can captivate the imagination of many people. Most martial art legends and myths are designed to instill a “supernatural/spiritual association” to one’s training.

However, that story doesn’t cover why we now have yellow, orange, blue, purple, red, striped, and various mixed color belts today.

I trained for many years at the beach, covered in salt water and sand. While my obi (a white belt designed for Iaido training) did get dirty and ultimately rot away, it never went through any color phases, except dirty beige. Maybe a little red when I bled, but nothing else. I guess with that said when people ask me what belt I am; I should be obligated to say beige with crimson spots. I can just imagine the odd looks of confusion if I would actually do that.

Now please don’t think I’m naïve about why there are so many colored belts today, and why such an emphasis has been placed on obtaining them. I know exactly why, it’s great business. Not only is it a good motivational tool, but it is a great means for generating extra income.

I know one school in the city that has 17 belts (eight colored belts, seven striped colored belts, and two levels of brown belt). Each test is $40.00, and the instructor tests every two months. One student testing 17 times brings in an extra $680.00 into the school, on top of his monthly fee, and other associated training costs (uniforms, equipment, tournament fees, association fees, etc.).

And don’t forget the black belt test. That’s an additional $500.00. That’s a total of $1,180.00 per student who makes it to black belt level.

I figure that this instructor has about 40 to 60 students at any given time. If just twenty students test during each testing date, he makes an extra $800.00 every two months. That’s pretty good money for a few hours of work.

I guess if one can find students willing to pay such fees, then more power to them. I on the other hand can’t imagine why a black belt should ever cost $500.00: unless it comes framed in 14karat gold.

I know what you may be thinking at this point. I have something personal against this instructor. You would be wrong. I like the guy. I also think he has some excellent martial skills. I also realize he has a rent to pay and a family to provide for. I know he works very hard to be successful at what he does, and that the school is his only source of income.

I also realize he is not the only teacher out there that does such things.

The sad thing is he and others like him have sacrificed their arts in order to run a successful business. They have changed the curriculum they were taught, watered it down, and placed an emphasis on symbolism in order to meet their business needs. Instead of teaching as they were taught (for those who were taught older traditions in a traditional manner) they now follow plans set by financial planning companies such as EFC (Educational Funding Company).

Their schools have become a belt mills.

Unfortunately in the case of my friend these changes have had a direct impact on his students, and the art he says he propagating. Many of his old timers left him years ago, when they witnessed these changes, and the decline of emphasizing real work ethics.

Gone were the days when hard work and sweat were rewarded. Now promotions are based on a formula, and given to people just to keep them motivated. Now a student can earn a black belt in three years, instead of the ten it took most of the guys to earn one twenty years ago when he first started teaching.

While I know his students work as hard as their teacher expects them to, many of their technical abilities are really poor. There are upper level black belts there who can’t perform basics, or who don’t have any real grasp on the materials they are responsible to teach. They go through the motions, but there is nothing of merit behind any of their movements. It’s more performance art than martial art.

Sure some of them can break bricks, do cartwheels, and perform aerial highflying kicks that wow audiences, but they couldn’t fight or defend themselves against a little old lady. Unfortunately, for traditional martial artists, these practitioners pass these circus acts off as martial arts, since the public isn’t really martial art savvy enough to know the difference between what is real and what is fantasy.

What is even more unfortunate is the fact that, because these students can do these flashy techniques and have been awarded rank, they believe they possess real martial skill and get very insulted when one questions their abilities. Distressingly, many of these individuals have an inflated ego to go with their inflated rank.

Yes, it’s clear I’m anti-belt. Not because I think it was bad idea, it did once have a specific purpose, I just dislike the way belt systems are utilized in many school today.

There is an old African proverb that states:
“I pointed out the stars
And all you saw was the tip of my finger”

In a nutshell, this quote sums up my opinion on how the value of obtaining a black belt has diminished. So many martial art practitioners are looking at the tip of the finger, rather than the stars. They would rather have a symbol to stroke their ego and/or show their friends, than ever take the time to learn the true meaning of what the martial arts are all about.

The truth is that a black belt is nothing more than a symbol that you have some understanding of the basics and are now ready, maybe even worthy, to start learning.

However, belts or no belts, true mastery comes when one can acknowledges they don’t know everything, have the resolve to seek out that knowledge, and come to the realization that more than one life time would be required to master it all.



“There are people who, instead of listening to what is being said to them,
are already listening to what they are going to say themselves.”
Albert Guinon

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Tuesday, March 21, 2006

A deep thought of Jack Handey

"To me, Judo is like a ballet,
except there's no music,
no choreography,
and the dancers knock each other down."
-Jack Handey

Jack Handey is an American comedian and comic writer. He is famous for his Deep Thoughts, a large body of surrealistic one-liner jokes, as well as his "Fuzzy Memories" and "My Big Thick Novel" shorts.

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Seminar Announcement: Don Angier Yanagi-Ryu Aiki Bugei


DON ANGIER is the Soke (inheritor) of Yanagi Ryu Aiki Ju Jitsu of the Yoshida family of Kyushu by direct succession from Kenji Yoshida, son of Kotaro Yoshida. Yanagi Ryu Aiki Bugei is a complete samurai art encompassing all the skills that were necessary for the Yoshida clan in the execution of their duties as samurai.

Seminar Date – Sat. April 29 – Sun. April 30, 2006

Time - 10:00 am - 4:00 pm

$45.00 one day
Whole weekend $75

Aikido of Diablo Valley
Concord, CA 94520
(925) 676-6763
www.advdojo.org



If you’ve never had the chance to train with Mr. Angier you should not miss this opportunity. His knowledge about the samurai arts is amazing, as are his technical abilities.

This seminar is definitely a must see for anyone who trains in any Koryu, Jujutsu, or Aikido system.

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How it All Started

Whenever people hear that I’ve been training in the martial arts for over thirty years one of the very first questions they have is how I got started. What motivated me?

While I wish I had some great story to tell them, my motivation wasn’t that interesting. I didn’t start taking martial arts to learn to defend myself, because I was bullied, or to find enlightenment. I also didn’t start doing martial arts because I was looking for a method of physical fitness; I was already busy playing basketball and soccer on my school’s team.

No, my motivation was based on two simple things; the first, dumb luck, and the second a James Bond movie titled, “You Only Live Twice.”